This play is for every bloke who tells his wife he can’t dance because of two left feet, and every wife who’s heard the excuse a thousand times. Do yourselves a favour and get your collective arses off to see DANCE BETTER AT PARTIES. It is a play where you laugh frequently, go ‘awhhh’ a lot, and are even moved to near-tears in a few scenes.
The play is a two-hander. Dave is a widow who’s a little gormless and most certainly a klutz. His body seems to move one or two beats behind the normal rhythm of life. All Dave wants to do is dance better at parties. He’d like to be able to steer a woman around the dance floor without being embarrassed. Dave wants to get a little bit of a life. The play is the journey he takes to get that and more along the way.
Steve Rodgers is Dave. His performance is subtle, breathtakingly honest and delightful. His comedic timing is perfection-on-a-stick as is his one-beat-behind dancing. This woman wanted to pop Dave into my handbag and take him home. Rodger’s Dave is very endearing.
Elizabeth Nabben plays the Latin ballroom dance teacher with such skill you’d swear she’s been doing this all her life. All the exaggerated movements of those professional ballroom dancers are on display. She too goes through an emotional journey, which is bittersweet and a joy to watch unfold.
The story line for DANCE BETTER AT PARTIES comes from director Gideon Obarzanek’s interviews with middle-aged men who were attending a dance studio.
The play’s duration is less than 90 minutes long so it doesn’t have to be a late night. The play ends 11th May.